Grain, tooth, dots and misregistration. For work that should look like it came off a press rather than a screen.

Texture and print

Halftone Press breaks an image into printed dots and lets you knock each channel slightly out of register, the way a real press does on a bad day. Dot shape, angle and size are all adjustable.

Good for posters and merch mockups where a clean digital image looks too clean.

Halftone Press

Screen printing dots with the misregistration left in.

Ink Bleed animates a drop of ink soaking outward through a chosen paper weight. Absorbency, viscosity and spread rate are separate controls, so a heavy black blot and a thin wash both come from the same tool.

Renders as a clean loop or as a single still at the moment you choose.

Ink Bleed

Ink that spreads into the surface it lands on.

Marble Shade grows veining that follows the outline of your layer rather than sitting on it as wallpaper. Adjust the vein count, contrast and warmth to move between soft limestone and hard black granite.

The pattern is generated per layer, so two shapes never come out identical.

Marble Shade

Veined stone generated to fit the shape you apply it to.

Dune Noise stacks several noise fields and lets you dial each one separately, so you can build anything from a faint paper tooth to a full ridged landscape. Nothing tiles, so large frames stay clean.

Handy as a displacement source for other shaders as well as a finish on its own.

Dune Noise

Layered procedural noise for texture that never repeats.

Paper Grain adds the tooth of real stock to a digital layout. Choose a weight, set how deep the fibres sit, and the texture picks up your existing shadows rather than sitting flatly on top.

Twelve stocks are included, measured from actual samples, from newsprint through to heavy cotton.

Paper Grain

Print stock texture you can drop on a finished layout.