Prism Blend turns a flat fill into a refracting spectrum that reacts to the shape underneath it. Drag the split point to move the colour break, twist the angle to bend the bands, and freeze the result the moment it looks right.

Built for cover art, hero backdrops and anything that needs colour without a photograph. Every layer stays editable, so you can hand the file to a teammate and they can keep tuning it.

Prism Blend

Split any fill into a live spectrum you can drag, twist and freeze.

Grid Sculptor replaces the numeric grid panel with a set of handles you can pull directly on the canvas. Columns snap, gutters follow, and the whole frame reflows as you drag.

It reads the grid you already have, so there is nothing to set up. Presets cover the usual breakpoints, and you can save your own for a house layout system.

Grid Sculptor

Reshape a layout grid by dragging it, not by typing numbers.

Layer Stack shows a file the way it actually is: how deep the nesting runs, which groups hold a single child, and where the same layer name appears thirty times. Clean any of it up from the panel.

It also remembers what you renamed, so a second pass on a related file takes seconds.

Layer Stack

Find, group and clean the layer list in one pass.

Spectra Lens places a physical piece of glass over your canvas. Move it and the artwork underneath stretches, splits and picks up a thin chromatic edge, exactly the way a real lens behaves.

Use it to draw attention to one part of a busy composition, or stack several lenses for a heavier optical treatment.

Spectra Lens

A glass lens that bends whatever sits behind it, in real time.

Draw a path, hand it to Neon Flow, and it renders a glowing trail that travels the length of it. Speed, falloff and bloom are all live, and the loop is seamless so it can sit behind a hero without a visible restart.

Exports as a looping frame set for prototypes, or as a still for print.

Neon Flow

Light trails that follow a vector path and loop cleanly.

Bokeh Bloom scatters shaped highlights across a frame and drifts them slowly. Aperture shape, density and falloff are all adjustable, so it can read as a night street or as a faint wash behind a headline.

Loops cleanly and stays light enough to run behind a full page.

Bokeh Bloom

Soft out of focus lights that drift behind your work.

Drape Fold takes a flat layer and lets it fall as fabric, with weight, stiffness and a light direction you set. Use it for product mockups, editorial covers, or to give a plain background some structure.

The shadows are computed from the fold, so the result holds up at full page size.

Drape Fold

Hang any shape as cloth and light it properly.

Chrome Melt builds a reflective surface from the colours already in your layout, so the metal belongs to the composition instead of fighting it. Push the melt slider and the surface sags and pools.

Best on large type and single shapes. It is deliberately heavy, so keep it to one element per frame.

Chrome Melt

Liquid metal that reflects the frame it lives in.

Halftone Press breaks an image into printed dots and lets you knock each channel slightly out of register, the way a real press does on a bad day. Dot shape, angle and size are all adjustable.

Good for posters and merch mockups where a clean digital image looks too clean.

Halftone Press

Screen printing dots with the misregistration left in.

Ink Bleed animates a drop of ink soaking outward through a chosen paper weight. Absorbency, viscosity and spread rate are separate controls, so a heavy black blot and a thin wash both come from the same tool.

Renders as a clean loop or as a single still at the moment you choose.

Ink Bleed

Ink that spreads into the surface it lands on.

Wire Lattice reads a frame and writes out the structure behind it: nesting, spacing rules, and which layers are really the same component wearing different content.

The output is a plain readable summary you can paste into a ticket, not a code dump, so it stays useful whatever the team builds in.

Wire Lattice

Turn a frame into clean component scaffolding for engineers.

Type Tuner looks at every text style in a file and shows them on one page, at real size, so you can see where the rhythm breaks. Adjust tracking and line height on the sheet and the styles update in place.

It also flags styles that are within a hair of each other, which is usually a sign that two people added the same thing twice.

Type Tuner

Optical size, tracking and rhythm tuned across a whole text style set.

Palette Drift takes one colour and walks it through a range you control, holding contrast steady as it goes. Pick a start, choose a direction, and it returns a set of steps that still read against your background.

Every step exports as a Figma variable, so the palette lands straight in the file rather than in a screenshot.

Palette Drift

Walk a palette in any direction and keep every step usable.

Thread Weave connects a text source to your layers and keeps them in step. Change a line at the source and every frame using it updates, so a copy review stops meaning forty manual edits.

Supports plain lists and simple tables, and shows you which layers are still holding placeholder text.

Thread Weave

Pull real copy into a design without leaving the canvas.

Soft Mesh gives you a grid of colour points you can drag anywhere on the canvas. The blend between them is computed live, so there is no banding when you scale the frame up to a billboard.

Includes a set of starting meshes pulled from a year of cover work, plus a noise slider for print.

Soft Mesh

Editable mesh gradients that stay soft at any frame size.

Marble Shade grows veining that follows the outline of your layer rather than sitting on it as wallpaper. Adjust the vein count, contrast and warmth to move between soft limestone and hard black granite.

The pattern is generated per layer, so two shapes never come out identical.

Marble Shade

Veined stone generated to fit the shape you apply it to.

Glass Frost is a blur that behaves like a material rather than a filter. Set the thickness and the edge picks up light from whatever sits behind it, so panels stop looking like flat grey rectangles.

Works on any shape, including text, and keeps its look when the layer moves over a different background.

Glass Frost

Frosted glass with real depth, thickness and edge light.

Dune Noise stacks several noise fields and lets you dial each one separately, so you can build anything from a faint paper tooth to a full ridged landscape. Nothing tiles, so large frames stay clean.

Handy as a displacement source for other shaders as well as a finish on its own.

Dune Noise

Layered procedural noise for texture that never repeats.

Vapor Trail renders drifting vapour across a frame with a single wind control. Turn the density down for a faint haze behind type, or up for a heavy stage fog.

Colour is sampled from your own layers, so the smoke sits in the palette instead of turning everything grey.

Vapor Trail

Smoke and steam that answer to a wind direction.

Tiny Figma Plugins, a curated directory of small Figma plugins and shaders