Prism Blend turns a flat fill into a refracting spectrum that reacts to the shape underneath it. Drag the split point to move the colour break, twist the angle to bend the bands, and freeze the result the moment it looks right.

Built for cover art, hero backdrops and anything that needs colour without a photograph. Every layer stays editable, so you can hand the file to a teammate and they can keep tuning it.

Prism Blend

Split any fill into a live spectrum you can drag, twist and freeze.

Ink Bleed animates a drop of ink soaking outward through a chosen paper weight. Absorbency, viscosity and spread rate are separate controls, so a heavy black blot and a thin wash both come from the same tool.

Renders as a clean loop or as a single still at the moment you choose.

Ink Bleed

Ink that spreads into the surface it lands on.

Marble Shade grows veining that follows the outline of your layer rather than sitting on it as wallpaper. Adjust the vein count, contrast and warmth to move between soft limestone and hard black granite.

The pattern is generated per layer, so two shapes never come out identical.

Marble Shade

Veined stone generated to fit the shape you apply it to.

Dune Noise stacks several noise fields and lets you dial each one separately, so you can build anything from a faint paper tooth to a full ridged landscape. Nothing tiles, so large frames stay clean.

Handy as a displacement source for other shaders as well as a finish on its own.

Dune Noise

Layered procedural noise for texture that never repeats.

Paper Grain adds the tooth of real stock to a digital layout. Choose a weight, set how deep the fibres sit, and the texture picks up your existing shadows rather than sitting flatly on top.

Twelve stocks are included, measured from actual samples, from newsprint through to heavy cotton.

Paper Grain

Print stock texture you can drop on a finished layout.

Tiny Figma Plugins, a curated directory of small Figma plugins and shaders

Prism Blend

Ink Bleed

Marble Shade

Dune Noise

Paper Grain